Colourlab AI now 22x faster - Colourlab.ai

What

Colourlab AI is an AI-assisted color grading product for video post-production. It is designed to help editors, filmmakers, colorists, and finishing professionals speed up repetitive grading work such as balancing shots, matching sequences, correcting white balance, and applying reference looks.

The product appears positioned as a professional color workflow tool with two tiers: Creator for editing-focused users working inside DaVinci Resolve, Adobe Premiere Pro, and Final Cut Pro, and Pro for higher-end finishing and VFX workflows in tools such as Nuke, Baselight, and Autodesk Flame. The site emphasizes local processing, plugin and desktop usage, and support for professional color spaces.

Features

• Sequence matching — Automatically matches shots across an entire timeline to create more consistent color with less manual shot-by-shot adjustment.
• Auto balance — Applies AI-based balancing to quickly neutralize color and establish a technically usable starting point for creative grading.
• Auto white balance — Detects and corrects white balance, including in mixed lighting situations, to reduce manual correction time.
• Reference image matching — Uses a still frame or another shot as a color reference so users can transfer a target look across clips more quickly.
• Local on-device processing — Keeps processing on the user’s machine, which is useful for media control and avoiding cloud-dependent workflows.
• Plugin and desktop deployment — Works either inside supported host applications or as a standalone desktop app, giving teams flexibility in how they fit it into existing post pipelines.

Helpful Tips

• Validate host compatibility early — The site lists different app support for Creator and Pro, so teams should confirm which host application and version they need before adopting.
• Treat AI grading as a first pass — Tools like auto balance and sequence matching are best evaluated as time-saving starting points rather than a replacement for final creative judgment.
• Check color pipeline requirements — If your workflow depends on ACES, DaVinci Wide Gamut, HDR, Rec.709, or CDL handling, map those needs against the version comparison before rollout.
• Assess RAW workflow needs carefully — RAW support is described as being provided through Tinman by Calibrated, so buyers should verify camera and pipeline fit for their specific ingest process.
• Benchmark performance on your own hardware — The page cites 22x faster performance on Apple Mac M1 and notes Windows NVIDIA and AMD GPU optimization as pending, so real-world speed may vary by system.